The Rolling Stones 2000-present
 The first Jagger/Richards composition at number 1 in the UK was The Last Time in early 1965. The U.S. version of that year's Out of Our Heads LP contained seven original songs, including (I Can't Get No) Satisfaction which became the band's first number one in the US where it remained for four weeks in July, and established the Stones as a worldwide premier act. Shortly thereafter they released their second number one, Get Off of My Cloud. Out of Our Heads and the US-only released December's Children were also the last Stones albums to predominantly feature covers. The release Aftermath (UK number 1 ; US 2) in the late spring of 1966 was the first Stones album to be composed only of Jagger/Richards songs. The American version of the LP included the chart-topping, Middle Eastern-influenced Paint It, Black, the ballad Lady Jane, and the almost 12-minute long Going Home, the first extended jam on a top selling Rock 'n' Roll album; later Jimi Hendrix, Cream and other sixties and seventies bands would release long jams routinely.
Jagger, Richards and Jones began to be hounded by authorities over illegal drug use. In 1967 the Sussex police, tipped off by the News of the World, raided a party at Keith Richards' home, Redlands. Jagger and Richards were charged with drug offences. Richards said in 2003, When we got busted at Redlands, it suddenly made us realize that this was a whole different ball game and that was when the fun stopped. Up until then it had been as though London existed in a beautiful space where you could do anything you wanted.
Amid this, January saw the release of Between the Buttons (UK number 3;US 2). The US version included the double A-side singles of Let's Spend the Night Together and Ruby Tuesday. The Stones performed the former on The Ed Sullivan Show in the USA, where Jagger was forced to mumble the song's lyrics and cdghhange the chorus to Let's Spend Some Time Together due to the threat of censorship. The album was Oldham's last venture as the Stones' producer (and, effectively, manager as well). On his departure, Jagger said in 2003, The reason Andrew left was because he thought that we weren't concentrating and that we were being childish. It was not a great moment really - and I would have thought it wasn't a great moment for Andrew either. There were a lot of distractions and you always need someone to focus you at that point, that was Andrew's job. Oldham, in his biography, says it was because his shortage of money led to his surrendering his management contract to others.
In May 1967, shortly before the trials of Jagger and Richards, Brian Jones was arrested for possession of cannabis He escaped with a fine and probation but was told to seek professional help. On 27 June Jagger and Richards were convicted and jailed. Following an editorial critical of the convictions and sentences in The Times, entitled Who breaks a butterfly upon a wheel?, Richards' conviction was quashed on appeal, and Jagger's sentence reduced to a conditional discharge. The band recorded a new single, We Love You, as a thank-you for the loyalty shown by their fans during the trials. It began with the sound of opening prison doors and in TV films to promote the record Jagger dressed in a style reminiscent of Oscar Wilde.
December 1967 saw the release of Their Satanic Majesties Request (UK number 3; US 2), released shortly after the Beatles' Sgt. Pepper's Lonely Hearts Club Band. Satanic Majesties was recorded in difficult circumstances while Jagger, Richards and Jones were in and out of jail. (Bill Wyman wrote and sang a track on the album — In Another Land — and the front cover of the album had a kaleidoscope picture.) Jagger was a strong advocate of the psychedelic sound of the album, but rarely have any songs from the record been played live. Though the band has released psychedelic tracks, Satanic Majesties is an anomaly. It also marked the first time the Stones produced their own album.
By early 1968 the Stones had acquired Allen Klein as their new manager. The band spent the first few months of the year compiling material for their next album. Those sessions resulted in the song Jumpin' Jack Flash, released as a single in May. The song, and later that year the resulting album, Beggars Banquet (UK number 3; US 5), marked the band's return to its blues roots with new producer Jimmy Miller. Featuring the album's lead single, Street Fighting Man, and the opening track Sympathy for the Devil, Beggars Banquet is another eclectic mix of country and blues-inspiredjgd tunes and was hailed as an achievement for the Stones at the time of its release. On the musical evolution between albums, Richards said, There is a change between material on Satanic Majesties and Beggars Banquet. I'd grown sick to death of the whole Maharishi guru shit and the beads and bells. Who knows where these things come from, but I guess [the music] was a reaction to what we'd done in our time off and also that severe dose of reality. A spell in prison... will certainly give you room for thought... I was fucking pissed with being busted. So it was, 'Right we'll go and strip this thing down.' There's a lot of anger in the music from that period. During this time Richards started using open tunings, most prominently a 5-string open-G tuning (with the lower 6th string removed), as heard on the 1969 single Honky Tonk Women, Brown Sugar (Sticky Fingers, 1971), Tumbling Dice, Happy, (Exile on Main St., 1972), and Start Me Up (Tattoo You, 1981). Open tunings lead to Stones' (and Richards') trademark guitar sound.
By the release of Beggars Banquet Brian Jones had contributed sporadically and was more troubled. Jagger said that Jones was not psychologically suited to this way of life. His drug use had become a hindrance, and he was unable to obtain a U.S. visa. In a June meeting at Jones' house between Jagger, Richards, Watts, Richards said that Jones admitted that he couldn't go on the road again. All agreed to let Jones, according to Richards, ...say I've left, and if I want to I can come back.' His replacement was the 21-year-old guitarist Mick Taylor, of John Mayall's Bluesbreakers, who started recording with the band immediately. In less than a month at his Cotchford Farm home in Sussex, Jones drowned in his pool. All sorts of conspiracy theories have made the rounds ever since.
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